Showing posts with label didgeridoo. Show all posts
Showing posts with label didgeridoo. Show all posts

Monday, July 4, 2011

Didgeridoo Diplomacy - Honking For Mental Health Awareness

I've shaken off a bad cold just in time to head off to Chicago first thing in the morning to the NAMI national convention. This will be my sixth NAMI convention. I attended my previous ones as a mental health journalist. This time I will be going as a representative of NAMI San Diego, where I serve on the board. But I will also be taking a lot of notes, so you can look forward to two or three road blogs. Plus, listening to patients and family members always results in aha! moments that inform all my writing.

My last NAMI national convention was in 2007, which occurred in San Diego about seven months after I arrived here in southern CA, about four months after I acquired my first didgeridoo. Trust me, didgeridoos make sense in California. So it was that I didn't give a second thought to taking my "Big Boy" didge to the convention. It didn't matter that I couldn't really play it - I could always honk for mental health awareness.

Big Boy is the size of an Alp horn (think Ricola), much larger than standard didges. No sooner did I show up than people were crowding around me, asking me what is that thing and to play it for them. Fortunately, the convention took place in a resort-type hotel, where a lot of the networking got done in the outdoors. That still didn't stop me from honking the thing indoors. Total strangers, old friends, featured speakers, NAMI bigwigs, my strategy was the same - honk my didge.

The picture you see is me at the 2007 NAMI convention, taking my didge to the talent show (sorry about the beached whales). A NAMI photographer snapped it, and it appeared on the NAMI website a day or two later. Back then, of course, I was an outsider, a lone visionary, a voice in the wilderness - a man, a dream, a didgeridoo.

Kind of hard to imagine that four years later, but I'm jumping ahead.

Later that summer, I took my "Little Boy" didge to the DBSA national conference in Orlando. Little Boy is nowhere near the attention-getter as Big Boy, but at least I could travel with it. I also brought Little Boy with me to a state NAMI convention in Riverside, CA six weeks later. At both these venues I was a break-out speaker and incorporated the didge into my talks.

Actually, the didge had nothing to do with what I was talking about, but my honking interlude did make sense in a certain nonlinear fashion.

By now, I had resolved to take my didge everywhere I went, but this was also the time I decided to severely cut back on my travel. Rumor has it that I was short-listed for the Nobel Peace Prize for my humanitarian gesture.

We skip ahead to 2010. I had been on the board of NAMI San Diego for about nine months. I was helping plan our annual Walk. I happened to say I will bring my didge to the Walk. Julie, a volunteer, chimed in: "And I will bring my drum." That's how great ideas are born. Julie introduced me to a drum circle. Fortunately, by this time, I could do more with my didge than just honk it. In no time, I was a drum circle regular. At our next year's Walk, we had a group of drummers (and me) set up at a key intersection on the Walk. (Check out the Walk video in the right column.)

Things only took off from there. One of our drum circle regulars, Jon, happens to be the chief psychologist at a large treatment center here in San Diego. He also has a well-deserved reputation for his work with vets and PTSD. It just so happened in May he organized a Drumming Out Stigma event sponsored by the county. The county mental health big cheese and some lesser cheeses were there. So were individuals from the local club houses and others.  I was there with Big Boy and Little Boy. I stayed mainly with Little Boy while some school-age girls made cool animal noises into Big Boy.

I happened to bump into the county big cheese two times since then, but here's the kicker: The other week, at a small NAMI San Diego function, I got into a conversation with a woman, who informed me that it was her girls who were making noises into Big Boy. By now, I am introducing myself as the didgeridoo representative on the NAMI SD board. After I get back from Chicago, at Jon's invitation, I will be joining him and some drummers at an annual vets awareness event.

Now to Chicago and the NAMI national convention. Traveling to Chicago was a last-minute decision, so I didn't even look at the program until two weeks ago. Of course, they're having their usual talent show, but also - drum roll please - they're having a drum circle!

A man ahead of his time, a man of his time. See how persistence pays off?

Tuesday, March 1, 2011

Rerun: My Totally Unexpected Didgeridoo Experience

From June, last year. Enjoy ...

This is a short story of a lovely experience I had yesterday. I went shopping along San Diego’s antique row for some night tables and other odds and ends for my bedroom. I had made a similar excursion three weeks before to help stock my living room. When I moved into my new apartment six or seven weeks ago, the only sticks of “furniture” I owned were my three didgeridoos. Literally, I built my entire living room around the my didge collection.

One shop in particular featured an eclectic mix of really cool stuff (such as a vintage edition of a book of paintings by New Zealand artist Peter McIntyre), but I was totally unprepared for the sight that greeted me - a beautiful hardwood hand-carved didgeridoo. Surely, I thought, it’s merely a decorative piece. It could not possibly deliver a quality sound.

I picked it up, running my fingers down the serpentine carvings. I positioned the bell end of the instrument on the floor, drew in a breath and blew. I wasn’t expecting much of a sound, particularly with warm-up breaths. But the didge proved exceptionally responsive. A promising tone issued forth. I gathered myself, got an airflow going, and experienced a wonderful warm resonance. Even with the carpet absorbing the sound, there was no escaping the fact that this baby sounded as good as it looked.

I looked at the price tag. $150. I owned two didges that cost me twice that. The carvings alone made it worth the price. The person minding the shop was filling in for the owner and knew nothing about the didge, but was expecting the owner to call in about an hour.

What do you call it? he asked. How do you spell it?

A didgeridoo is probably the oldest wind instrument in the world, basically a hollowed out tree trunk. On a simple level, it delivers a deep rich pulsing drone, augmented by vocalizations and tonguing variations, which is about my level of playing. A skilled musician can wail the crap out of it.

Aboriginals from Australia’s north coast fashion theirs from stringy bark eucalyptus. The instrument is central to their cultural and spiritual traditions. Over the last decade or two, the didge has caught on in the west, and we now see the instrument fashioned out of all manner of material. I have one Aboriginal didge. My first two didge purchases were crafted by a local. 

I lived in Australia for five years about 20 years ago. Back then, didges did not interest me. Three and a half years ago when I moved to southern California, suddenly didges made sense.

The didge in my hand was clearly western. Maybe I would learn more in an hour or two. I found my night tables and other items, set them aside with the didge, and told the guy behind the counter I would be back. Time to see a friend for lunch. When I returned, I was told the owner didn’t know anything about the didge, either. Then I was presented with an offer I couldn’t refuse: The didge was mine for $100.

I got it into the car, along with my night tables and other purchases. I had business elsewhere in town later in the day. Time to play with my new toy. I found a nearby city park, headed to a secluded corner overlooking a valley, positioned myself beneath a tree, and started familiarizing myself with the instrument.

No technical tricks. Just experience the sound, that wonderful pulsing drone. Soon, I was in my own world - John World - not part of this world, very much part of this world:

“In the beginning was the Word ...”

All things originate from vibration.

I looked up. A man I hadn’t seen before was approaching. Oops! I was obviously disturbing him. Time to apologize and find another spot.

This is his mother’s memorial, he told me.

Oh, crap. Now I better run.

And he was really moved by the sound ...

His words gushed out: His mother had died two months earlier. She loved the view from this section of the park. Some of her ashes were scattered here.

What do you call that instrument? he asked, his voice choking. Could I keep playing?

I told him I would dedicate “this” - whatever came out of my didge - to his mom. I got the air going. I got the piece of wood vibrating ...

Thank you, he sobbed a minute later. Thank you.

Over the next 30 minutes, he walked this way, then that way, positioning himself at various outlooks, staring out into the valley, then returning to my spot, holding his phone near the bell of the instrument, talking to his friends, leaving messages to his friends, leaving messages to himself.

Connections, healing, healing, connections ...

It was time to go, back to that other world, the real world, not real, yet real. I cradled my new didge, not just a didge, just a didge. Carefully, I placed it in the back floor of my car, in a gap beneath the night tables. I got behind the wheel, found my street - and turned the wrong way.

Ha! John World.

Monday, July 19, 2010

Playing the Didgeridoo - Believe it or Not, I Used to Be Worse

This weekend, practicing at home, I played my didgeridoos - all four of them - as if I really knew how to play them. This wasn't always the case. This from the book I am working on, "Raccoons Respect My Piss - But Watch Out for Skunks: My Metaphor for Life on a Planet Not of My Choosing and How I Finally Came to Terms."


We pick up on the action three years ago ...

I was downtown for my third conference in six weeks, the NAMI national convention. I rolled in late in the afternoon, checked into my hotel, then headed over to the venue, in time to play my didgeridoo at the evening talent show. Trust me, didgeridoos make perfect sense in California. I lived in Australia for five years - wasn't interested. Then, not long after my arrival in my new neighborhood, I happened to walk into a coffee shop and walk out with a didgeridoo.

This one was made out of local desert yucca and had the look and dimensions of an alphorn. Most didgeridoos are way smaller.

I arrived home with my new purchase, perplexed at why I wasn’t able to master the thing in five minutes. I used to play the trombone. What could be so friggin’ hard about getting one note out of a glorified stalk of desert yucca? Don’t these things come with tech support?

I spent the ensuing week producing noises reminiscent of the beans scene from “Blazing Saddles.” The only reason I persisted was because I knew it could be done, sort of like the Wright Brothers. They were willing to put up with failure because - thanks to birds - they knew flight was possible.

But some guy or gal thousands of years ago picking up a hollow log in some pristine rain forest? How did he or she know “beyond flatulence” was feasible? What kept this person going? What on earth was going through his or her mind? The burning philosophical question.

By the end of the first week I had progressed to fog horn. But I could only sustain the sound for five seconds at best. I set to work on my newsletter, but there was my didge in the corner, mocking me. An hour later, hyperventilated and discouraged, I began asking myself, how well does yucca burn? One last toot. Something happened. Something that faintly resembled the sound of a didge.

Over the next few days, I was able to work on reliably producing the didge sound and sustaining it beyond five seconds. One day, I felt confident enough to take it out into the back yard. The woodpeckers offered encouraging percussive chatter. A hummingbird flitted over and checked me out. Good omen.

My backyard experiences started to take on a spiritual quality. By now I could get a drone going for twenty seconds, with a range of subtle tones and harmonic overlays. Looking out across to the mountains under a cobalt sky, I was able to produce the OM of the universe. Everything stems from vibration:

“When all things began, the Word already was … So the Word became flesh.”

Then I took my didge out under the night sky. Up at 3,500 feet, they polish the stars every night. For this particular occasion, the Forest Service had just finished lowering the moon to just above tree-top level and thoughtfully provided an ambient soundtrack of croaking frogs.

I held off on my didge, allowing myself to become one with my surroundings. Then, I brought the didge to my lips, content to just blow air through it. Finally, I was ready. I drew in a relaxed breath, and looking up at the canopy of the heavens, I sounded my OM into a frog-enriched cosmos.

Now, here I was at the NAMI conference, toting around my didgeridoo. For some reason, the sight of the thing induced people to stop and ask for a demonstration. My only purpose for being at this conference was to meet people, and this was good. So, not content with talent night, I brought my didge with me the next day to the conference.

If you have never brought an oversized didge with you to a national conference, you are missing out on a major life experience. People literally stopped me in the parking area outside the hotel, and I obligingly honked on demand. Going to get a coffee – honk on demand. Walking into the lobby – honk on demand. Walk into the exhibit area – honk on demand. NAMI bigwigs, leading doctors, authors, speakers – honk on demand. Patients, family members – honk on demand.

And now you know why NAMI has banned didgeridoos from all their conferences. Ha! But there's still NAMI walks.

Wednesday, June 23, 2010

My Totally Unexpected Didgeridoo Experience

This is a short story of a lovely experience I had yesterday. I went shopping along San Diego’s antique row for some night tables and other odds and ends for my bedroom. I had made a similar excursion three weeks before to help stock my living room. When I moved into my new apartment six or seven weeks ago, the only sticks of “furniture” I owned were my three didgeridoos. Literally, I built my entire living room around the my didge collection.

One shop in particular featured an eclectic mix of really cool stuff (such as a vintage edition of a book of paintings by New Zealand artist Peter McIntyre), but I was totally unprepared for the sight that greeted me - a beautiful hardwood hand-carved didgeridoo. Surely, I thought, it’s merely a decorative piece. It could not possibly deliver a quality sound.

I picked it up, running my fingers down the serpentine carvings. I positioned the bell end of the instrument on the floor, drew in a breath and blew. I wasn’t expecting much of a sound, particularly with warm-up breaths. But the didge proved exceptionally responsive. A promising tone issued forth. I gathered myself, got an airflow going, and experienced a wonderful warm resonance. Even with the carpet absorbing the sound, there was no escaping the fact that this baby sounded as good as it looked.

I looked at the price tag. $150. I owned two didges that cost me twice that. The carvings alone made it worth the price. The person minding the shop was filling in for the owner and knew nothing about the didge, but was expecting the owner to call in about an hour.

What do you call it? he asked. How do you spell it?

A didgeridoo is probably the oldest wind instrument in the world, basically a hollowed out tree trunk. On a simple level, it delivers a deep rich pulsing drone, augmented by vocalizations and tonguing variations, which is about my level of playing. A skilled musician can wail the crap out of it.

Aboriginals from Australia’s north coast fashion theirs from stringy bark eucalyptus. The instrument is central to their cultural and spiritual traditions. Over the last decade or two, the didge has caught on in the west, and we now see the instrument fashioned out of all manner of material. I have one Aboriginal didge. My first two didge purchases were crafted by a local. 

I lived in Australia for five years about 20 years ago. Back then, didges did not interest me. Three and a half years ago when I moved to southern California, suddenly didges made sense.

The didge in my hand was clearly western. Maybe I would learn more in an hour or two. I found my night tables and other items, set them aside with the didge, and told the guy behind the counter I would be back. Time to see a friend for lunch. When I returned, I was told the owner didn’t know anything about the didge, either. Then I was presented with an offer I couldn’t refuse: The didge was mine for $100.

I got it into the car, along with my night tables and other purchases. I had business elsewhere in town later in the day. Time to play with my new toy. I found a nearby city park, headed to a secluded corner overlooking a valley, positioned myself beneath a tree, and started familiarizing myself with the instrument.

No technical tricks. Just experience the sound, that wonderful pulsing drone. Soon, I was in my own world - John World - not part of this world, very much part of this world:

“In the beginning was the Word ...”

All things originate from vibration.

I looked up. A man I hadn’t seen before was approaching. Oops! I was obviously disturbing him. Time to apologize and find another spot.

This is his mother’s memorial, he told me.

Oh, crap. Now I better run.

And he was really moved by the sound ...

His words gushed out: His mother had died two months earlier. She loved the view from this section of the park. Some of her ashes were scattered here.

What do you call that instrument? he asked, his voice choking. Could I keep playing?

I told him I would dedicate “this” - whatever came out of my didge - to his mom. I got the air going. I got the piece of wood vibrating ...

Thank you, he sobbed a minute later. Thank you.

Over the next 30 minutes, he walked this way, then that way, positioning himself at various outlooks, staring out into the valley, then returning to my spot, holding his phone near the bell of the instrument, talking to his friends, leaving messages to his friends, leaving messages to himself.

Connections, healing, healing, connections ...

It was time to go, back to that other world, the real world, not real, yet real. I cradled my new didge, not just a didge, just a didge. Carefully, I placed it in the back floor of my car, in a gap beneath the night tables. I got behind the wheel, found my street - and turned the wrong way.

Ha! John World.

Thursday, January 7, 2010

Rerun: Rare Footage



Time for some comic relief. This is a rerun from June ...

Following is rare archival footage of me on my didgeridoo, accompanied by Louis Armstrong. Louis, of course, is the most exciting musician to ever pick up an instrument - or sing. But here I give him a run for his money. Enjoy ...

Monday, June 22, 2009

Rare Footage: John McManamy and Louis Armstrong



Following is rare archival footage of me on my didgeridoo, accompanied by Louis Armstrong. Louis, of course, is the most exciting musician to ever pick up an instrument - or sing. But here I give him a run for his money. Enjoy ...

Thursday, June 18, 2009

Didge 101







An email from YouTube Services arrived in my email box one hour ago. "ididjaustralia has invited you to become friends!" read the heading.

According to i DIDJ Australia website: "iDIDJ Australia is guided by the traditional Aboriginal owners and custodians of the didgeridoo in raising public awareness of the rich cultural traditions and significant heritage values of the didgeridoo."

Since acquiring my first didgeridoo (made from California yucca) more than two years ago, I have used this great website as a resource to learn more about the instrument and the Aboriginal culture that produced it. Its YouTube channel features nearly 400 videos showcasing great Aboriginal musicians and instrument-makers.

Last week, I acquired my first Aboriginal didgeridoo, and two days later uploaded a YouTube video, My Didgeridoo Experience, which I also embedded into a very recent blog post.

My musicianship leaves a lot to be desired, but I hoped to convey the benefits that even novices can derive from the instrument, as well as showing my appreciation for the oldest continuous culture on earth.

Accordingly, I was flattered to find the friend request in my email box.

Above are three videos from the i DIDJ Australia's YouTube channel. The first displays the virtuosity of Quincey Matjaki, a master of the "hard-tonguing" style that is a feature of the Yolngu people of Northeast Arnhem Land in Australia's Northern Territory. "Yirdaki" or "yidaki" is the Yolngu word for didgeridoo.

The second shows the life cycle of the yirdaki, from tree to ceremonial use, and the third is a scene-stealer of two adorable kids - ages 3 and 5 - already playing the yirdaki far better than I will ever play it in my lifetime.

Enjoy ...

Saturday, June 13, 2009

My Didgeridoo Experience




I lived in Australia for five years back in the 80s and early 90s, but didgeridoos didn't interest me. Then, two and a half years ago I moved to rural southern CA and suddenly didgeridoos made a lot of sense.

A didgeridoo is a wind instrument made from a hollowed out log. The Australian Aboriginals use eucalyptus trees. The didge - or yidaki or yirdaki - is a mainstay of Aboriginal culture, an integral part of their spiritual and ceremonial and story-telling traditions.

The instrument produces a low pedal note drone, which can be varied by a range of vocalizing and tonguing and breathing techniques. Skillful players can maintain complex rhythms that equate to vocal percussion. Though the instrument itself is simple, its masters are highly-accomplished and equally highly-regarded virtuoso musicians.

The instrument also offers a gateway into Aboriginal culture, which is the oldest continuous culture on earth.

I bought my first didge about two years ago. It is locally made, from a hollowed out yucca plant. My second one is Indonesian teak, from the same local craftsman.


Last week, I acquired my very first Aboriginal-made didge, and I'm very excited. The week before, I happened to run into someone from San Diego, who had a didge he wanted to sell. It was crafted by the great master, Djalu Gurruwiwi, from Northeast Arnhem Land in Australia's Northern Territory. It was literally love at first sight.

I have a long way to go before I acquire even a basic level of proficiency, but right from the beginning I found myself both having fun and tapping into something greater than myself. This video reflects both the playful and spiritual side the instrument brings out in me, as well as paying tribute to the culture that produced it.

Enjoy ...